movieviolence
If nothing else, it's perfectly telling that Deadpool & Wolverine takes place in a liminal space called the Void. The latest franchise assault from the Marvel Cinematic Universe (MCU)—and, mercifully, the only formal entry this year—is an empty exercise in winking self-promotion, like a made-for-YouTube fan film that somehow ended up on the big screen. It's a vapid, frantic movie about how Marvel's wildly successful comic book movie universe has lost its ability to authentically connect—that itself has no capacity to authentically connect. Consider the old screenwriter's maxim: "Raise the stak...
Reason
I am a long-time admirer of Kevin Costner. As an actor, he's been a sturdy big-screen presence for four decades, and his small-screen turn as a gruff, tough family patriarch in Yellowstone is a big part of what has made that show so successful over the last five years. Costner's work behind the camera, meanwhile, has never been short of interesting. Whatever its contemporary reputation, Dances With Wolves remains a powerfully made Hollywood epic. Costner's much-maligned adaptation of The Postman is a mess, but it's a fascinating curiosity, an ambitious and personal undertaking from a filmmaker...
Reason
One way to understand the Bad Boys franchise is as a referendum on shifting cultural views of masculinity. The first two films, released in 1995 and 2003 respectively, followed the brash antics of two hard-charging Miami cops, Marcus Burnett (Martin Lawrence) and Mike Lowrey (Will Smith). Mike and Marcus are a classic cinematic odd couple: Marcus is sloppy, goofy, messy, harried, and married; Marcus is handsome, uptight, hard-charging, and very, very single. But they shared a certain bro-code—vulgar, violent, competitive, sex-obsessed, and constantly engaged in insult comedy, much of which had...
Reason
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